Blur Parklife Zip Rar Password
- Nb i don't think the people described in/listening to parklife and OPM are at all the same! Probably because Blur are perceived as intrinsically middle-class whereas Mike Skinner, with the whole 'Barrett Home' thing, is seen as at least 'lower middle class' and also in touch more with the notion of 'black music', rave culture etc.
- Blur's debut album Leisure (1991) incorporated the sounds of Madchester and shoegazing. Following a stylistic change influenced by English guitar pop groups such as The Kinks, The Beatles and XTC, Blur released Modern Life Is Rubbish (1993), Parklife (1994) and The Great Escape (1995).
The legions of jangly, melodic bands that followed in the wake of Parklife revealed how much more complex Blur's vision was. Not only was their music precisely detailed - sound effects and brilliant guitar lines pop up all over the record - but the melodies elegantly interweaved with the chords, as in the graceful, heartbreaking 'Badhead.'
Arguably the two greatest albums by the two most iconic Britpop artists. But which is your favourite?Track listing:1. Girls and Boys2. Tracey Jacks3.
End of the Century4. Bank Holiday6. The Debt Collector8.
To the End10. London Loves11. Trouble in the Message Centre12. Clover Over Dover13.
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Magic America14. This is a Low16. Lot 105Track listing:1. Roll With It3.
Don't Look Back in Anger5. Some Might Say8. Cast No Shadow9. She's Electric10. Morning Glory11. Champagne Supernova-I vote for Parklife.
It changes style from track to track and is more experimental imo. However Morning Glory has the better singles. When it came out, Parklife seemed like a summary of the previous 30 years of UK pop.I voted for Parklife as I think it's 'better' - certainly a lot more varied - but actually prefer listening to Morning Glory. Don't Look Back in Anger is (in my view) one of the best singles of the 90s.Maybe the poll should be Parklife vs Definitely Maybe - both released in 1994 - and The Great Escape vs Morning Glory - both released in 1995? The Blur vs Oasis rivalry sure seemed exciting in 1995. Blur probably won in terms of creativity over the years, where Oasis 'won' in sales terms.
Parklife is a masterpiece and one of the great albums of the 1990s, if not all time. Captured the Zeitgeist of 1990s Britain perfectly. Morning Glory isn't even the best Oasis album and, lest we forget, was slagged by the UK music press as 'boring' and 'uninspired' until it became cool to like Noel and play up the whole 'working class Northerners vs. Middle-class Southern schoolboys' angle at which point it achieved a mythical status it absolutely doesn't deserve on musical merits. I'm an Oasis fan (although a far bigger Blur fan) so I don't say this as someone who hates the album.I quite like it.
But the word 'overrated' was made for this album, in the literal sense. It's the wrong comparison really, it should be be Parklife vs Definitely Maybe.
Both released the same year and DM is by far a better record the WTSMG.The second album has too many boring mid-tempo numbers and the lyrics are mostly awful. At least on DM Noel kept it simple, when he tries to go poetic it's cringeworthy. Morning Glory was where they became a band for indie groupie boys who worshipped the whole lad culture rubbish.I voted for Parklife but would have gone for Definitely Maybe (probably) if it was an option.Edit: The poster above me said it better. Click to expand.The forum had a poll on the best Oasis album, and Morning Glory ran away with many, many more votes than Definitely Maye. Morning Glory also tends to show up over Definitely Maybe whenever the press does lists of best BritPop albums.
So I think Morning Glory is more appropriate for a poll on the best album by each band.Historically, Parklife went head-to-head against Definitely Maybe, as they both came out in the same year. Then Morning Glory and The Great Escape were the next round of battle between these two groups in history. The forum had a poll on the best Oasis album, and Morning Glory ran away with many, many more votes than Definitely Maye. Morning Glory also tends to show up over Definitely Maybe whenever the press does lists of best BritPop albums.
So I think Morning Glory is more appropriate for a poll on the best album by each band.Historically, Parklife went head-to-head against Definitely Maybe, as they both came out in the same year. Then Morning Glory and The Great Escape were the next round of battle between these two groups in history. The forum had a poll on the best Oasis album, and Morning Glory ran away with many, many more votes than Definitely Maye. Morning Glory also tends to show up over Definitely Maybe whenever the press does lists of best BritPop albums. So I think Morning Glory is more appropriate for a poll on the best album by each band.Historically, Parklife went head-to-head against Definitely Maybe, as they both came out in the same year.
Then Morning Glory and The Great Escape were the next round of battle between these two groups in history. Click to expand.Yes, and again moving beyond the revisionist history of the UK music press of the era, The Great Escape was lauded as a perfect album and awarded perfect scores by just about every magazine, while as I wrote above Morning Glory had a tepid reaction. But once the battle lines were drawn in late 1995, the press flipped the script and so it's been for the last 20 years that Great Escape is dismissed as a pile of crap and Morning Glory is held up as one of the great albums in history. Great Escape isn't as good as Parklife, but it's certainly not as bad as it's been made out to be over the last two decades.and again, I prefer it to most of Morning Glory. Yes, and again moving beyond the revisionist history of the UK music press of the era, The Great Escape was lauded as a perfect album and awarded perfect scores by just about every magazine, while as I wrote above Morning Glory had a tepid reaction. But once the battle lines were drawn in late 1995, the press flipped the script and so it's been for the last 20 years that Great Escape is dismissed as a pile of crap and Morning Glory is held up as one of the great albums in history.
Great Escape isn't as good as Parklife, but it's certainly not as bad as it's been made out to be over the last two decades.and again, I prefer it to most of Morning Glory.
I first discovered Blur in 1998 at the age of ten. At the time, the only bands that I had really become a fan of were Radiohead, The Smashing Pumpkins, The Beatles, Led Zeppelin, and Pink Floyd. The first time I heard Blur was in a restaurant in one of those cheap jukeboxes. The song was Blur’s ‘Charmless Man’ and I instantly found my ten year old self appealed to what would be my first exposure to Brit-pop. I checked the jukebox and discovered their simple name, which I found incredibly cool at the time. It also listed the album the song was on, which was their classic The Great Escape.
In literally the same day, I begged my mom to take me to the record store for the purchase. Eventually within the same year, I had purchased all five Blur albums up to that point. I found myself in love with them while they hijacked my walkman for quite some time (hey, it wasn’t the iPod’s time just yet). After two more releases (and another live album) and the departure of guitarist Graham Coxon, they went on hiatus and I don’t see Coxon reuniting with frontman Damon Albarn any time soon. Despite their messy ending, they opened my ears up to new horizons to which I treasure to this day.
Let’s take a look at all seven albums————————————————————Leisure (1991)Blur’s debut album was actually quite typical for any new band entering the British scene at the time. It was a showcase of their promising sound with a few highlights that attracted attention from the press, such as the catchy ‘She’s So High’. ‘Sing’ was their first display of an epic, as the six minute song was a preview of what Blur had in store for their later career. Despite some weak songs, showed quite some potential, but is still one of their weaker albums.Rating: 6.3/10audio:Life Is Rubbish (1992)is a dramatic increase of originality than the first album, as the band sounds incredibly laid back and much more confident in their efforts. Leisure saw Blur attempting to mimic their influences, but Modern Life Is Rubbish shows the band and their new innovative sound. Gems such as ‘Blue Jeans’ show such beautiful melodies while ‘Sunday, Sunday’ proves to be one of the band’s first effective stomping anthem-like song. The second half was not nearly as good as the first, but the album was a big step forward.Rating: 7.8/10audio:(1994)Considered by many to be Blur’s best album, boosted the band to instant fame in the UK.
Parklife chronicled the normal working class in Britain, and the album became Blur’s first #1 in the UK. Though the album failed to chart in the USA, the hilariously brilliant ‘Girls & Boys’ found success there.
I enjoy every single song on Parklife, especially the brilliant ‘Clover Over Dover’, which explains the tragedy of working and suicide. If you dislike this album, you must have a heart made of stone!Rating: 9.6/10audio:Great Escape (1995)Personally, is my favorite Blur album. It could be for sentimental reasons considering it was my first, but for some reason I think it relies entirely on the content. I find the album completely flawless, while Blur were at the peak of their career. Whether it was rapid fire of ‘It Could Be You’ or the epic and melodramatic ‘The Thought Of Cars’, each and every song on The Great Escape were great. Even the b-sides to the album were great, such as the excitable ‘Ultranol’.
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This album is one of my favorites of all time.Rating: 10/10audio:(1997)Ask any American about the band Blur and what would they tell you? Most likely: “Oh yeah, they’re the band with that woo-hoo song”. Actually, last summer I was friends with an exchange student from Russia, and when she was looking through my iPod, she saw Blur and exclaimed in broken English, “oh, I love the woohoo song!” So, I guess Blur is universal in that aspect.
Though their self-titled album is known for the over popular ‘Song 2’, it has its other great moments as well, such as the great opener in ‘Beetlebum’ or the dark ‘Death Of A Party’. Was not as strong as the two prior to it, but it was still great nonetheless.Rating: 8.8/10audio:(1999)was Blur’s most experimental and ambient album. It recieved lukewarm reviews, but I was very admirable of Blur’s efforts to manufacture songs that created a certain kind of atmosphere. The song ‘1992’ really is quite beautiful as it grows on you and ‘Trimm Trabb’ is as catchy as any one of their previous pop songs. Admittedly some songs were boring and overproduced, but the effort was still put into it as usual with several good results.Rating: 7.6/10audio:Tank (2003)My favorite song off of was ‘Battery in Your Leg’, which was ironically the only song Graham Coxon was involved in for the album. Though some enjoyed the album, I found it one of Blur’s weaker efforts.
I thought the album’s attempt to be creative backfired and created a few more boring songs that are trying to hide themselves with too many technological antics. ‘Crazy Beat’ is catchy, and several others shine, but I found myself disappointed as a whole. My expectations were probably too high but if anything, it shows how much Graham Coxon was a part of Blur.Rating: 6.8/10audio:https://obscuresound.com/mp3/blur/bat.mp3audio:https://obscuresound.com/mp3/blur/cra.mp3——–. How delighted I was when I saw your post on Blur!!!
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One of the best bands ever. But I am going to have to agree with tom barrett that Modern Life is by far the masterpiece. Just the two hidden tracks alone “peaches” and “when the cows come home” are amazing!!
Plus oily water is so so cool. And oilyI would have to say that I am also going to agree with Oasis frontman Noel Gallagher when he said “blur is a great singles band. Period.” I think the closest that blur came to complete albums are “modern life” and “blur”.Other than that, I just take all the singles and extra favorites off all the albums combined and mash them onto my ipod! Ahh the stereotypes there must be more to life!cheers.